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June 14 2017

10:37
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sometimes-now:

Urs Fischer

10:35
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thunderstruck9:

A.J. Fries (American, b. 1972), Drain, 2007. Oil on canvas, 24 x 24 in.

June 13 2017

12:29
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bigblueboo:

gold roil

Reposted bysubcavelifuzurawianiaczka
12:27
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archimodels:

© sachiko akinaga - times magazine headquarters - 2011

12:20
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adv-suic:

whatever this is

12:20
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weed-craft:

Tom Sachs

12:19
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conelradstation:

John Coltrane, gunslinger and saint (from Jazz, directed by Ken Burns, 2000)

12:18
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Reposted bycarfreitag carfreitag
12:16
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molonom:

Poodle

Personal illustration

12:15
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colorel11:

© Marsel van Oosten

Chinese fisherman

12:14
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prostheticknowledge:

The Last Night

Trailer for upcoming game by Raw Fury has an incredible visual look, taking 2D pixel graphics into a richer high definition territory with depth (I know this is already doing the rounds, but look at it …)

The soul of a cinematic platformer and the heart of a sci-fi thriller, The Last Night is set in a post-cyberpunk world with a deep, vibrant vision of the future.

The Last Night is what we call post-cyberpunk – it’s not the kind of dystopia the genre is famous for, rather it depicts an alternate direction for society. One where the fight for survival doesn’t mean food and water, but a purpose for living. Human labour and creativity has been rendered obsolete by AI, so people are now defining themselves by what they consume, not what they create.

Charlie is a lower-class citizen who can’t interface with the systems and augmentations of the world around him, due to an accident during his childhood. He’s a citizen of the thriving metropolis and yet he’ll never be a part of it. Then, a chance encounter offers him the chance to be part of something else and take matters into his own hands. 

More Here

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